The Man Who Fell to Earth

Watch: The Man Who Fell to Earth

5/28/19762h 19m

Theatrical Release (US)

~ Power, space, time and a visitor. ~

Overview:

Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.

Director:

Nicolas Roeg

Status:

Released

Language:

English

Buget:

$1,500,000.00

Revenue:

$0.00

Key words:

based on novel or book
extraterrestrial technology
dystopia
alien life-form

Cast

David Bowie

~ as ~

Thomas Jerome Newton

Rip Torn

~ as ~

Nathan Bryce

Candy Clark

~ as ~

Mary-Lou

Tony Mascia

~ as ~

Arthur

Buck Henry

~ as ~

Oliver Farnsworth

Bernie Casey

~ as ~

Peters

Adrienne La Russa

~ as ~

Helen

Claudia Jennings

~ as ~

Peters' Wife

Rick Riccardo

~ as ~

Trevor

Jim Lovell

~ as ~

James Lovell

View full cast & crew

Reviews (1)

CinemaSerf
Written 2 year(s) ago
6
Very much a vehicle for David Bowie, this is otherwise a rather derivative and unimaginative story of an alien ("Newton") who arrives on Earth, naked and penniless. He is tasked with trying to find a way to save his own doomed planet, but quickly discovers that he has skills! He can make money, and money buys nice things; it buys nice sex; it gives him power... All of these pleasures distract him from the purpose of his visit. Can he refocus? Well his infatuation with "Mary-Lou" (Candy Clark) isn't helping, nor are those around him - "Bryce" (Rip Torn) amongst them - with their own rather parasitic agendas, and his own character undergoes quite a few transformations as his exposure to the Earth and all of it's frequently conflicting moralities presents him with quite a few challenges. To be perfectly honest, I was rather bored with this. It offers us a smorgasbord of humanity with little context or character depth. Bowie is attractive to look at - sometimes - but really isn't much of an actor and at over 2¼ hours long, the plot had little option but to recycle itself - in various thinly disguised guises - just once too often for me. Stomu Yamashta's score is heavy overused, I thought, and by the end I really wasn't so very bothered whether or not he succeeded. As an observation of 1970s priorities, aspirations and excesses, it is quite illustrative I suppose, but as a film to see on a big screen it is really nothing at all to write home about, sorry.