Magic Mike's Last Dance

2/10/20231h 52m

Theatrical Release (US)

~ The final tease. ~

Overview:

Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?

Director:

Steven Soderbergh

Status:

Released

Language:

English

Buget:

$45,000,000.00

Revenue:

$52,000,000.00

Key words:

london, england
sequel
dancehall girl
male stripper
bar dancer
dancefilm
abusive relationship

Cast

Channing Tatum

~ as ~

Mike Lane

Salma Hayek Pinault

~ as ~

Maxandra Mendoza

Ayub Khan-Din

~ as ~

Victor

Jemelia George

~ as ~

Zadie Rattigan

Juliette Motamed

~ as ~

Hannah

Ethan Lawrence

~ as ~

Woody

Alan Cox

~ as ~

Roger Rattigan

Caitlin Gerard

~ as ~

Kim

Vicki Pepperdine

~ as ~

Edna Eaglebauer

Suzanne Bertish

~ as ~

Renata

View full cast & crew

Reviews (1)

CinemaSerf
Written 2 year(s) ago
5
"Mike Lane" (Channing Tatum) is now reduced to tending bar at exclusive functions when he encounters the wealthy "Max" (Salma Hayek). She offers him $6k for a private dance, and this moves her world sufficiently for her to take him to London with an unique offer that shocks her estranged husband, their adopted daughter (and the narrator) "Zadie" (Jemelia George) and amuses her rather sceptical factotum "Victor" (Ayub Khan-Din). What's wrong with this film, though, is that it attempts to inflict a plot on what has been essentially, up to now, a series of (very) soft porn dance routines that allow those of us to relish some fit young blokes parading their abs and asses whilst giving us a good old dose of raunch! This offers very little of that, even at the end - and as such the thing struggles to engage. There are the odd moments that raise a smile, but Hayek overacts dreadfully and Tatum spends too much of his time standing around with his hands in his pockets as both deliver a rather strained and contrived dialogue. Simply, not enough happens on stage here and, well, let's hope it is, indeed, his last dance - this is poor, sorry.