Close Encounters of the Third Kind

Watch: Close Encounters of the Third Kind

12/14/19772h 17m

Theatrical Release (US)

~ We are not alone. ~

Overview:

After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

Director:

Steven Spielberg

Status:

Released

Language:

English

Buget:

$20,000,000.00

Revenue:

$306,889,114.00

Key words:

wyoming, usa
indiana, usa
flying saucer
extraterrestrial technology
obsession
evacuation
blackout
secret base
alien life-form
alien
ufo
vision
alien abduction
missing person
alien contact
mother ship
extraterrestrial life form
alien language
alien space craft
questioning
escapade
curious
obsessive quest
flying ship
ufo sighting
alien encounter
desperate
lightshow
extraterrestrial humanoids
wonder
mysterious lights
alien spaceship
extraterrestrial capsule
moving lights
humanoid alien
secret space ufos
whimsical
admiring
awestruck
flashing lights

Cast

Richard Dreyfuss

~ as ~

Roy Neary

François Truffaut

~ as ~

Claude Lacombe

Teri Garr

~ as ~

Ronnie Neary

Melinda Dillon

~ as ~

Jillian Guiler

Bob Balaban

~ as ~

David Laughlin

J. Patrick McNamara

~ as ~

Project Leader

Warren J. Kemmerling

~ as ~

Wild Bill

Roberts Blossom

~ as ~

Farmer

Phil Dodds

~ as ~

ARP Musician

Cary Guffey

~ as ~

Barry Guiler

View full cast & crew

Reviews (2)

IB
Ian Beale
Written 8 year(s) ago
8
Do the mashed potato!

Roy Neely is a gas repair man who has a close encounter with an alien craft and begins having strange visions of mashed potatoes, shaving cream and mud mountains. This all leads to Needy's marriage breaking up and he sets out to find the truth about his mashed potato visions. The climax at a mountain is breathtaking when Neely comes face to face with his destiny.

One of Spielberg's best with a nice cameo by French director Francois Truffaut.
CinemaSerf
Written 2 year(s) ago
7
I always remember as a child hoping/praying that if extra terrestrials ever did come to visit us, that they wouldn't arrive in America. Think "The Day the Earth Stood Still" (1951) or most other sci-fi stories: the first things they would see when they opened their door would be guns, tanks, missiles, soldiers... This film takes a far more sophisticated approach to how we might engage with an alien species, and together with some super effects and a far more nuanced storyline leaves us with room for optimism that we might not just try to shoot first and ask questions afterwards - should anyone ever do arrive. Spielberg was still, in my view anyway, learning his craft when he wrote/directed this and that shows in the real paucity of pace for the first hour. Richard Dreyfuss is adequate, but the constantly amazed/perplexed looks on his face start to become annoying after a while. François Truffaut features now and again - largely as part of a parallel storyline - but really, this only begins to engage in the last thirty minutes when the threads all knit together giving us a clever denouement as the scientists discover an innovative, musical, way to communicate that doesn't involved threats and bullets. Oddly enough, even when I first saw this at the age of 9, I never got any sense of menace from our travellers and the absence of any substantial physical form for us to identify with seems to help keep the magic working. Not John Williams' finest work, I thought the score suffered from the slow rate of progress with the plot but the symbolism and curiosity of spirit this film engenders makes it still, just about, worth sticking though...