Happening

5/6/20221h 40m

Theatrical (limited) Release (US)

Overview:

France, 1963. Anne is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.

Director:

Audrey Diwan

Status:

Released

Language:

French

Buget:

$0.00

Revenue:

$171,765.00

Key words:

france
pregnancy
woman director
abortion
1960s

Cast

Anamaria Vartolomei

~ as ~

Anne Duchesne

Kacey Mottet Klein

~ as ~

Jean

Luàna Bajrami

~ as ~

Hélène

Louise Orry-Diquéro

~ as ~

Brigitte

Pio Marmaï

~ as ~

Pr. Bornec

Sandrine Bonnaire

~ as ~

Gabrielle Duchesne

Cyril Metzger

~ as ~

Gaspard

Anna Mouglalis

~ as ~

Madame Rivière

Fabrizio Rongione

~ as ~

Dr. Ravinsky

Julien Frison

~ as ~

Maxime

View full cast & crew

Reviews (1)

CinemaSerf
Written 3 year(s) ago
6
"Anne" (Anamaria Vartolomei) is a young student studying to be a teacher, when she starts to feel stomach cramps. A visit to the doctor reveals that she is pregnant and the remainder of this drama relates to her decision not to have the baby. That's quite a stance to take in 1960s France where, much like in most of the rest of Europe, abortion is illegal, dangerous - and costly! It was an one-night-stand with "Max" (Julien Frison) that led to her condition, so she goes to visit him to see if he can help, but that's not much use and she finds herself largely alone trying to raise the money needed whilst her natural pre-occupation causes her grades to suffer. Much of the buildup to this autobiographical story is nothing special, to be honest; but for the last twenty minutes it becomes actually quite compelling. It reminded me of Imelda Staunton's excellent "Vera Drake" (2004). Not since then have I seen a film that openly deals with the dangers of backstreet abortions, of the stigma attached to those people who this who saw this as their only practical solution - and Vartolomei delivers her part confidently in what is essentially a strong, single-handed, performance that is quite effective at drawing us into her predicament and at making us think.