Bond, Bowler Hats, Galore and the Man With the Midas Touch.
Goldfinger is directed by Guy Hamilton and adapted to screenplay by Richard Maibaum & Paul Dehn from the novel written by Ian Fleming. It stars Sean Connery, Gert Frobe, Honor Blackman, Shirley Eaton & Harold Sakata. Music is by John Barry and cinematography by Ted Moore.
Operation Grand Slam.
Connery's third outing as James Bond sees 007 investigating the movements of wealthy gold dealer Auric Goldfinger (Frobe). Little does 007 or MI6 know, but Goldfinger is hatching a master plan that will spell disaster for the world's financial climate.
Undeniably the turning point in the James Bond franchise, Goldfinger is also one of the most fondly remembered by the cinema loving public. Here is when Bond not only went go-go gadget crazy, but he also impacted on pop culture to the point the waves created are still being felt today. Bond traditionalists are often irked by the mention of the change Goldfinger represents, and with just cause, because this really isn't Fleming's core essence Bond. Bond has now become a gadget using super agent, a man who laughs in the face of death, a quip never far from his lips. Yet the hard facts are that this Bond is the one the world really bought into, ensuring for the foreseeable future at least, that this type of Bond was here to say. Marketing was high pitched, fan worship became feverish and the box office sang to the tune of $125 million. Toys, gimmicks and collectables would follow, the Aston Martin DB5 would become "The Most Famous Car in the World", in 1964 Bond truly became a phenomenon.
Purely on an entertainment front, Goldfinger delivers royally, the sets, casting and the high energy set-pieces all seep with quality. This in spite of the actual plot being one of the weakest in the whole franchise. As great a villain as Auric Goldfinger is, with a voice dubbed Frobe simply joyous in the role, his motives are rather dull and hardly cause for some worldwide Bondian panic. But the film rises above it to the point it only really registers long after the end credits have rolled. We have been treated to Odd Job (Sakata instantly becoming a Bond villain legend), that laser, the DB5 and its tricks, the delicious Honor Blackman as Pussy Galore (still an awesome name today and still sounding like a character from a Carry On movie), the golf match, Shirley Eaton's golden girl and the ticking time bomb finale played out during the chaotic scenes involving Ken Adam's brilliantly designed version of Fort Knox.
Bond staples also serve the production well, the title sequence is neatly strung together as scenes from the movie play out over a writhing golden girl, who was model Margaret Nolan and who briefly appears in the film as Dink. The theme tune is a blockbuster, sang with gusto by Shirley Bassey and the locations dazzle the eyes as we are whisked to Switzerland, Kentucky and Miami. Stock characters continue to make their marks, with M, Moneypenny and Q (setting in motion the wonderful serious v jocular axis of his "to be continued" relationship with Bond), starting to feel like old cinematic friends. Only let down is Cec Linder's turn as Bond's CIA counterpart, Felix Leiter, gone is the swagger created by Jack Lord in Dr. No, and while Linder is no bad actor, he doesn't sit right in the role, he's looks too world weary. A shame because he is integral to how the plot pans out.
Director Guy Hamilton was helming the first of what would end up being four Bond movies on his CV, he made his mark by bringing more zip and quip to the Bond character. Connery was firmly ensconced in the role of Bond, he was a mega star because of it, but cracks were beginning to appear in how Connery viewed this gargantuan success and the impact it was having on his hopes to be viewed as a serious actor. However, he was signed up for Thunderball, the next James Bond adventure, and Terence Young would return to the director's chair, could they top the success of Goldfinger? 9/10
