Relative Values

Overview:

A comedy of discriminating taste and dirty little secrets. In 1952 England, Nigel, the Earl of Marshwood, woos Hollywood star Miranda, upsetting both Nigel's mother, Countess Felicity, and Miranda's former love fellow Hollywood star Don. Right before the engagement party at Marshwood, Moxie, the Countess's personal maid and best friend, reveals that Miranda is her estranged sister. Crestwell, the Countess's butler, devises a plan - but an inebriated Don's arrival at Marshwood to talk to Miranda causes all chaos to break loose.

Director:

Eric Styles

Status:

Released

Language:

English

Buget:

$0.00

Revenue:

$0.00

Key words:

Cast

Julie Andrews

~ as ~

Felicity Marshwood

Edward Atterton

~ as ~

Nigel Marshwood

William Baldwin

~ as ~

Don Lucas

Colin Firth

~ as ~

Peter Ingleton

Stephen Fry

~ as ~

Frederick Crestwell

Sophie Thompson

~ as ~

Dora Moxton 'Moxie'

Jeanne Tripplehorn

~ as ~

Miranda Frayle / Freda Birch

Stephanie Beacham

~ as ~

Elizabeth

Charles Edwards

~ as ~

Phillip Bateman-Tobias

Michael Higgs

~ as ~

Film Director

View full cast & crew

Reviews (1)

CinemaSerf
Written 2 year(s) ago
6
This probably isn't one of Noël Coward's better plays for me, but Eric Styles has managed to assemble a solid cast to make this adaptation just about watchable. Edward Atterton (Lord Marshwood) has fallen for Hollywood star "Miranda" (Jeanne Tripplehorn) who is, in turn, on the rebound from a relationship with her on-screen partner "Lucas" (William Baldwin). After their whirlwind romance on the Côte d'Azur they plan to return to his stately pile where his dowager countess mother "Felicity" (Dame Julie Andrews) is waiting to greet them. Now this woman is rather shrewd and egged on by her mischievous nephew "Peter" (Colin Firth) decides to let matters take their course... That plan is rather spiked by a surprise announcement from her long-term confidante "Moxie" (Sophie Thompson) that, coupled with the pursuing "Lucas", creates the template for quite an engaging, if one-dimensional, theatrical farce. Nobody is really challenged here, the plot delivers competent efforts from both cast and screenplay along lines that don't really provide much humour or originality, and that concludes very much as you might expect. It's well photographed (though not very well edited) and Dame Julie brings that certain star quality that we seldom see nowadays. I would probably have left this to the stage where I expect it would have worked better - on the silver screen it falls a bit flat.