The French Dispatch

Unrated

10/21/20211h 48m

Premiere Release (US)

~ of the Liberty, Kansas Evening Sun ~

Overview:

The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.

Director:

Wes Anderson

Status:

Released

Language:

English

Buget:

$25,000,000.00

Revenue:

$46,333,545.00

Key words:

art collector
journalist
small town
france
poison
1970s
journalism
editor-in-chief
artist
imprisonment
painter
riot
anthology
magazine
food poisoning
murderer
chef
lecture
post world war ii
child kidnapping
obituary
bicycle tour
poisoning
father son relationship
lighthearted
whimsical
vibrant

Cast

Benicio del Toro

~ as ~

Moses Rosenthaler

Adrien Brody

~ as ~

Julian Cadazio

Tilda Swinton

~ as ~

J.K.L. Berensen

Léa Seydoux

~ as ~

Simone

Frances McDormand

~ as ~

Lucinda Krementz

Timothée Chalamet

~ as ~

Zeffirelli

Lyna Khoudri

~ as ~

Juliette

Jeffrey Wright

~ as ~

Roebuck Wright

Mathieu Amalric

~ as ~

The Commissaire

Steve Park

~ as ~

Nescaffier

View full cast & crew

Reviews (6)

A
Amos3
Written 3 year(s) ago
9
Yet again a great piece of art!
MS
Manuel São Bento
Written 3 year(s) ago
5
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-french-dispatch-spoiler-free-review

"The French Dispatch possesses all of Wes Anderson's trademark quirks, but this time, even hardcore fans of his unique style will struggle to not feel overwhelmed.

Every filmmaking department shines in such an impressive manner that one could call this movie a "technical masterpiece" packed with fantastic performances across the board. Unfortunately, the cliche criticism "style over substance" fits this picture too well.

The infinite amount of Anderson-ish quirks transforms the already uninteresting narrative with emotionally hollow characters into an extremely challenging, hard-to-follow story.

In four simple words: it's just too much..."

Rating: C+
r96sk
Written 3 year(s) ago
9
Impeccably well made, supremely enjoyable.

This is only the second Wes Anderson film that I've seen (fwiw, first was 'Moonrise Kingdom' which I didn't like all that much hides) and now I can better understand the hype that man gets. 'The French Dispatch' is quality, plain and simple.

The ensemble cast are a delight, with many a familiar face spread across each segment and each one of them bringing entertaining performances. Frances McDormand would be my standout performer, closely followed by Benicio del Toro. Though, to be honest, all them are terrific - from Owen Wilson to Adrien Brody to Léa Seydoux to Timothée Chalamet to Jeffrey Wright. Christoph Waltz, Willem Dafoe and Bill Murray star too. Unreal casting, that!

Anthology flicks can be hit-and-miss for me personally, though to be fair my predominant previous exposure to them has been via those cheaply made Disney animated sequels from yesteryear so time will tell if that feeling holds. I'm pleased to say here, though, that I thoroughly enjoyed watching one develop. It helps that this release knits the segments together seamlessly, with stunning cinematography, editing et al. Loved the animated part, too.
CinemaSerf
Written 3 year(s) ago
7
I suppose like any newspaper or magazine upon which this compendium effort is based, there are some "articles" more interesting than others - and that's what this offers. Three elongated features form the centrepieces of this somewhat surreal comedy. As you might expect from Wes Anderson, these stories are eclectic, and delivered well by a cast that were well up for their tasks. My favourite of the three features Frances McDormand and Timothée Chalamet offering us some sort of Hemmingway-esque parody of revolution fought over a chess board - with quite humorous results. Humour is a strong feature of this film. I would say comedy, not so much. One has to pay attention to what is going on to get the best from the acting, the script and, as importantly, the imagery which effortlessly mixes monochrome and colour, and which is also bright, vivacious, and frequently just as informative as the dialogue. It does run out of steam at times, the themes could have been a little more compact, and the two side-stories - especially the travel report with Owen Wilson at the top of the film didn't work so well for me. I'm not an huge fan of eccentricity - it is all-too-often just hit or miss, but here we have more hits than not, and with a healthy swipe at journalistic values along the way, a bit of romance and some daft antics from a rogue Benicio del Toro, this is certainly worth watching.
b
beyondthecineramadome
Written 3 year(s) ago
6
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-world-through-pastel-colored-glasses-the-french-dispatch-review

Watching a Wes Anderson movie is a feast for the eyes. Few directors have such a distinct visual language. When you are watching a Wes Anderson movie, the audience knows it’s a Wes Anderson movie. The French Dispatch is no different. It is a series of vignettes from the fictional French foreign bureau of the Liberty, Kansas Evening Sun’s last issue following the death of its editor, Arthur Howitzer Jr. (Bill Murray). Each scene is an extraordinarily detailed still life painting that welcomes the audience to the dreamy French town of Ennui-sur-Blasé. It’s what the world would look like if we were all wearing rose-colored glasses.

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