The Small Back Room

Unrated

2/23/19521h 46m

Theatrical Release (US)

Overview:

As the Germans drop explosive booby-traps on 1943 Britain, the embittered expert who'll have to disarm them fights a private battle with alcohol.

Director:

Emeric Pressburger

Status:

Released

Language:

English

Buget:

$240,000.00

Revenue:

$135,000.00

Key words:

strong woman
bomb
self sacrifice
england
self-destruction
world war ii
alcoholism
alcoholic
roadside bomb
explosives expert
military weapons
booby trap
withdrawal
bomb squad
self-loathing
war effort
prosthetic leg
unexploded bomb
amputee
weapon testing
weapons of war
bomb making
war
romantic drama
hallucinations
guns and weapons
bomb disposal unit
disarming a bomb
supportive partner

Cast

David Farrar

~ as ~

Sammy Rice

Kathleen Byron

~ as ~

Susan

Jack Hawkins

~ as ~

R.B. Waring

Leslie Banks

~ as ~

Col. A. K. Holland

Michael Gough

~ as ~

Capt. Dick Stuart

Cyril Cusack

~ as ~

Cpl. Taylor

Milton Rosmer

~ as ~

Prof. Mair

Walter Fitzgerald

~ as ~

Brine

Emrys Jones

~ as ~

Joe

Michael Goodliffe

~ as ~

Till

View full cast & crew

Reviews (1)

John Chard
Written 10 year(s) ago
8
I must have a drink. Ask me to have a drink woman.

The Small Back Room (AKA: Hour of Glory) is directed by Michael Powell and Emeric Pressburger, with both adapting the screenplay from the Nigel Balchin novel. It stars David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks and Michael Gough. Music is by Brian Easdale and cinematography by Christopher Challis.

As the Germans drop explosive booby-traps across coastline England, Sammy Rice (Farrar) will be tasked with learning the secret to disarming the deadly devices. But first he must beat his private battle with alcohol, his form of self medication due to the loss of one of his feet.

The Archers produce what is in essence a tale of redemption, it's a superbly mounted drama dripping with realism and infused with atmospheric black and white photography. It somewhat divided critics back on release, but that tended to be customary where Powell was concerned, who himself wasn't sure about the validity of this particular piece. Yet it finds Pressburger and himself on sure footings, returning to more grounded human dramatics, their willingness to explore the murky fallibility of mankind is a thing of bold and effective cinematic beauty.

The by-play between Farrar and Byron is sexually charged, but heart achingly poignant as well. The pic is at its best when these pair share scenes, the back drops to their troubled courting veering from vibrant (hope) to dour (despair), the latter always staged at Sammy's gloomy flat and the scene of a brilliantly filmed expressionistic nightmare that he suffers. Elsewhere various military types either stand tall or sit behind desks speaking in correct literary tones, their collective problem being that the pesky Germans have come up with a vile bomb tactic that needs addressing ASAP.

Can Sammy come through for not only the war effort, but also for his sanity? Watch and see, it's great film making across the board. 8/10