Black Widow

Unrated

10/28/19541h 35m

Theatrical Release (US)

~ Someone will kill this girl tonight! ~

Overview:

A young stage hopeful is murdered and suspicion falls on her mentor, a Broadway producer.

Director:

Nunnally Johnson

Status:

Released

Language:

English

Buget:

$0.00

Revenue:

$0.00

Key words:

murder
broadway
broadway star
murder suspect
broadway producer
stage actress

Cast

Van Heflin

~ as ~

Peter Denver

Reginald Gardiner

~ as ~

Brian Mullen

Gene Tierney

~ as ~

Iris Denver

Peggy Ann Garner

~ as ~

Nancy Ordway

Ginger Rogers

~ as ~

Carlotta Marin

George Raft

~ as ~

Detective Bruce

Virginia Leith

~ as ~

Claire Amberly

Otto Kruger

~ as ~

Gordon Ling

Cathleen Nesbitt

~ as ~

Lucia Colletti

Skip Homeier

~ as ~

John Amberly

View full cast & crew

Reviews (1)

John Chard
Written 6 year(s) ago
7
The Black Widow, deadliest of all spiders, earned its dark title through its deplorable practice of devouring its mate.

The Black Widow, deadliest of all spiders, earned its dark title through its deplorable practice of devouring its mate.

Black Widow is written and directed by Nunally Johnson. It stars Ginger Rogers, Van Heflin, Gene Tierney, George Raft, Peggy Ann Garner and Reginald Gardiner. Music is by Leigh Harline and cinematograpgy by Charles G. Clarke. A young writer insinuates herself into the life of a Broadway producer – with dire consequences…

A CinemaScope/De Luxe colour production out of 20th Century Fox, Black Widow flirts with the boundaries of colour film noir. Heflin is the Broadway producer who has his world turned upside by what at first we think is a femme fatale, only the pic isn’t as straight forward as that. In fact, the title is a bit of a bum steer for this is not about some male murdering femme fatale, quite the opposite in fact, so expectation of that will only cause disappointment.

Essentially this ends up as a who and why done it? And for the most part the pic holds the attention as the narrative pitches Peter Denver (Heflin) as the Broadway producer frantically trying to prove himself innocent of a murder. Cards are kept close to the chest as Johnson’s screenplay drips suspicion into the play at various points. We the audience are forced into questioning the manoeuvres of the lead protagonists, which gains momentum once Raft’s Detective Bruce starts investigating the case. However, some have cried out that the revelation was too easy to spot, maybe so if one is so desperate to do so, but of course we do hear this a lot from folk not happy with the film they have watched. Personally, I didn’t see it coming, but conversely, I was personally disappointed with the reveal. So, there you go, roll the dice and take a chance with it really.

Tech aspects are hit and miss. The CinemaScope format doesn’t quite work here, given that most of the play is performed in apartments. When it comes to the cityscapes of New York – and the framing of characters within them – it’s a treat, especially as Clarke’s colour lenses are splendid, but Johnson the director doesn’t appear to get a handle on the format. Acting is also an interesting parade. Heflin is great, draws you into his “on the run to clear my name” malarkey with conviction, while Rogers is having a blast as the waspish lead lady with delusions of grandeur. Raft is a one note let down in a “for the money” role, and Tierney (sadly getting closer to succumbing to her mental health problems) is poorly written and Gardiner likewise. Garner (stepping in when Maggie McNamara fell ill) is fine, slinky and suspiciously delicate, but the course of the story leaves us short of more from her.

As a whole? it’s a mixed bag, but definitely it’s on the good side of good, particularly for Heflin and Rogers fans and for those of a noir persuasion. 7/10