As You Like It
Comedy • Romance • Drama
Theatrical Release (US)
Overview:
Film version of Shakespeare's comedy of a young woman who disguises herself as a man to win the attention of the one she loves.
Director:
Paul Czinner
Status:
Released
Language:
English
Buget:
$0.00
Revenue:
Key words:
Cast
Laurence Olivier
~ as ~
Orlando
Felix Aylmer
Duke Frederick
Elisabeth Bergner
Rosalind
John Laurie
Oliver
Lionel Braham
Charles, the wrestler
Austin Trevor
Le Beau
Sophie Stewart
Celia
Henry Ainley
Exiled Duke
Leon Quartermaine
Jacques
Stuart Robertson
Amiens
CinemaSerf
Written 3 year(s) ago
You Might Like
The Piano
The Shawshank Redemption
Barbie
Interstellar
American Beauty
The Terminator
GoodFellas
Snowpiercer
Harry Potter and the Philosopher's Stone
Inception
Elizabeth Bergner looks something akin to "Peter Pan" stuck in the headlights of an approaching armoured car in this really rather dry interpretation of one of William Shakespeare's lighter comedies. In theory, the cast ought to have been able to deliver far better than they did - and that seems largely down to Paul Czinner's character prioritisation. Anyone who reads the bard's work will realise that the "Fool" is always a crucial character for the narrative and the humour. "Touchstone" (played here competently by Mackenzie Ward) seems to be on the clock the whole time. His lines are delivered pell mell without leaving us the chance to absorb the wit, subtlety - and the information - contained in his lines. This really starves us of much of the nuance and fun, frankly, of the piece. What we are left with is Olivier being, well, Olivier - big eyes and grand gestures with pitch perfect delivery and all the emotion of a coal sack; and Felix Aylmer taking the imperious role of "Frederick" from the stage and making no real effort to adapt it at all for the cinema. The production whistles along with fine attention to the costumes and sets and I did quite like the epilogue - but that may have just been relief. A bit like "A Midsummer Night's Dream" - some things belong on the medium for which they were originally conceived. This, I'd say, is one such example.