The Wound

Overview:

Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.

Director:

John Trengove

Status:

Released

Language:

Xhosa

Buget:

$0.00

Revenue:

$142,684.00

Key words:

homophobia
circumcision
south africa
in the closet
initiation
rite of passage
masculinity
banned
african customs
circumcision ritual
traditional leader
traditional culture
eastern cape

Cast

Nakhane

~ as ~

Xolani

Bongile Mantsai

~ as ~

Vija

Niza Jay Ncoyini

~ as ~

Kwanda

Thobani Mseleni

~ as ~

Babalo

Gamelihle Bovana

~ as ~

Initiate

Halalisani Bradley Cebekhulu

~ as ~

Initiate

Inga Qwede

~ as ~

Initiate

Sibabalwe Ngqayana

~ as ~

Initiate

Siphosethu Ngcetane

~ as ~

Initiate

View full cast & crew

Reviews (1)

CinemaSerf
Written 10 month(s) ago
7
"Xolani" or just "X" (Nakhane) left his Xhosa tribe to find work in the city, but has now returned as a "caregiver" to help the young men prepare for their impending initiation into manhood. This essentially involves being covered in a white paint and preparing for a circumcision that was as likely to lead to terminal infection as to anything else. He reunites with his married friend "Vija" (Bongile Mantsai) and we quickly discover that's their is an unconventional friendship - and one that is best kept under wraps. That proves much more difficult when one of his initiates - "Kwanda" (Niza Jay) cottons on and it's clear that he can, and will, cause trouble. What follows is a poignantly told story of two men treading on eggshells. They must reconcile their own feelings with their responsibilities to their families, community and culture, and as events begin to spiral out of control it falls to "X" to make some very difficult choices and take some equally drastic action. There isn't loads of dialogue here, the photography and the simplicity of the surroundings do most of the heavy lifting as we observe their drama unfolding against a backdrop of attitudes that can make you wince at times. On the face of it, you could make some value judgments about "Kwanda" but when the context of their societal values is presented to us, that's not quite so simple as us Westerners might expect. This has a very natural feel to it, the characters seem plausible and they do engage. It's worth ninety minutes, for sure.