The Skull

Unrated

8/25/19651h 23m

Theatrical Release (US)

~ When the Skull strikes you'll scream! ~

Overview:

The Skull [from a short story by Robert Bloch, author of Psycho] is a fearsome, finely acted and moody tale of Gothic horror. The 150 year old skull of the Marquis de Sade has been taken from its grave, bringing terror to those who own it. Demonologist Christopher Maitland [Peter Cushing] is eager to add the piece to his occult collection. Despite the warnings of a friend [Christopher Lee], he's got to have it. And does he ever get it.

Director:

Freddie Francis

Status:

Released

Language:

English

Buget:

$0.00

Revenue:

$0.00

Key words:

london, england
auction
possession
evil spirit
murder
statuette
grave robber
based on short story
demonic possession
skull
occult detective

Cast

Peter Cushing

~ as ~

Dr. Christopher Maitland

Christopher Lee

~ as ~

Sir Matthew Phillips

Patrick Wymark

~ as ~

Anthony Marco

Jill Bennett

~ as ~

Jane Maitland

Peter Woodthorpe

~ as ~

Bert Travers, Marco's Landlord

Nigel Green

~ as ~

Inspector Wilson

April Olrich

~ as ~

French Girl

George Coulouris

~ as ~

Dr. Londe

Maurice Good

~ as ~

Pierre, Phrenologist

Patrick Magee

~ as ~

Police Surgeon

View full cast & crew

Reviews (2)

Wuchak
Written 5 year(s) ago
4
Features Peter Cushing & Christopher Lee, but way too much filler

A researcher of the occult and esoterica (Peter Cushing) apprehends the skull of the nefarious Marquis de Sade and learns that something evil is attached to it, which negatively influences its owners. Patrick Wymark plays his source for artifacts while Christopher Lee plays a rival collector. Patrick Magee is on hand as an inspector.

“The Skull” (1965) is worth checking out for fans of British horror featuring Cushing and/or Lee, but it places with the least of their works. There’s just way too much filler. The runtime could’ve been cut in half and it would’ve been a compelling mini-movie. As it is, it’s just too drawn out for the material to maintain interest.

However, the theme is interesting: Can articles have evil spirits attached to them? During the days of the early Church, articles that Paul touched, like handkerchiefs and aprons, “were taken to the sick, and their illnesses were cured and the evil spirits left them” (Acts 19:11-12). It was the same thing with Peter’s shadow. These things had the anointing of God on them and thus physically or mentally ill people exposed to them were healed and demons fled! A good example from the Old Testament would be Elisha’s bones noted in 2 Kings 13. These various items were blessed as conduits of God’s power. Could the inverse also be true? Could certain items be cursed with a demonic non-anointing? If the former is true with the kingdom of light, isn’t it possible that the reverse is also true with the kingdom of darkness in some cases, particular items like idols?

The movie runs 1 hour, 23 minutes and was shot at Shepperton Studios, Shepperton, Surrey, England; as well as Great Cumberland Place, Marylebone, London (Maitland's home).

GRADE: C-
CinemaSerf
Written 10 month(s) ago
7
When Christopher Lee tells you to leave well alone, well you should - even if you are Peter Cushing! The latter is "Maitland" who is offered a gruesome artefact by his rather dubious supplier "Marco" (Patrick Wymark) and when he mentions it to his collecting rival "Sir Matthew" (Lee) he is told that this was recently pinched from him and well, he decides to ignore the advice. It doesn't take him very long before he rues that decision. This skull belongs to the Marquis de Sade and his spirit is looking to continue to cause as much mischief as he can! To those ends, it can take over the minds of those close to it and manipulate their behaviour to do his will. Can the sceptical "Maitland" do what generations of his forebears have failed to do and thwart this malevolent force? This is one of my favourite Hammer horrors with plenty of accumulating menace; some clever photography - often from the skull's POV, it's hauntingly scored and the denouement isn't what I ever remember to expect after a fun eighty minutes of pure cinematic evil. It spares us the usual ketchup gimmickry and uses a little more psychology to fo the scaring, and I think it works quite well.