The Go-Between

11/13/19711h 56m

Theatrical Release (US)

~ In those days, you fell in love with your own class. Or found a Go-Between. ~

Overview:

British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

Director:

Joseph Losey

Status:

Released

Language:

English

Buget:

$100,000.00

Revenue:

$0.00

Key words:

countryside
based on novel or book
england
forbidden love
cricket
birthday party
norfolk
1900s

Cast

Julie Christie

~ as ~

Lady Marian Trimingham

Alan Bates

~ as ~

Ted Burgess

Edward Fox

~ as ~

Hugh Trimingham

Michael Redgrave

~ as ~

The Older Leo Colston

Dominic Guard

~ as ~

The Young Leo Colston

Margaret Leighton

~ as ~

Mrs Maudsley

Michael Gough

~ as ~

Mr Maudsley

Richard Gibson

~ as ~

Marcus Maudsley

Simon Hume-Kendall

~ as ~

Denys

Roger Lloyd Pack

~ as ~

Charles

View full cast & crew

Reviews (1)

CinemaSerf
Written 2 year(s) ago
6
Sadly, time has not been very kind to the potency of this film. In 2020s society, the overwhelming feeling of "so what?" is hard to shake off; despite some really strong performances. Dominic Guard is "Leo", just 13 when he is invited to summer at the Norfolk country home of one of his classmates. He quickly befriends his older sister "Marian" (Julie Christie) and is soon acting - innocently, at first - as her courier passing ostensibly harmless letters between herself, her fiancée "Hugh" (Edward Fox) and a swarthy tenant farmer "Ted" (Alan Bates). Guard is great as the young man who starts to put two and two together as he slowly gets caught up in this menage-à-trois whilst trying to accommodate his own sexual awakening. His own naive inquisitiveness gives his character an engaging and frustrating quality that we might all have related to, once upon a time. Losey's pace is off, though - it can be quite a slow burn at times and, unusually, I found the score from Michel Legrand quite distractingly repetitive. The cinematography showed off the locale to perfection and the dialogue from LP Hartley via Harold Pinter succinctly demonstrates class distinction and prejudice well.