Creepy, unsettling, unconventional, realistic and artistic, but also tedious
In the early 1700s, devil worship rears its sinister head in a village in England. Barry Andrews (who looks like Roger Daltrey) plays the young man who initially acquires evidence of the deviltry while Patrick Wymark plays the investigator and Anthony Ainley the minister. The young females include Tamara Ustinov (Rosalind), Linda Hayden (Angela), Wendy Padbury (Cathy) and Michele Dotrice (Margaret).
When you think of 60s-70s British horror you automatically think of Hammer Films, but Tigon’s “The Blood on Satan’s Claw” (1971) doesn’t have that Hammer or Amicus vibe; or even American International. It’s avant-garde, inventive and lifelike with a harrowing pervasive dread. Unfortunately, it’s also tedious, particularly during the first half.
One sequence is especially unsettling and remains controversial to this day. However, it was preceded by non-horror films with scenes that were even more unsettling and controversial, like Roger Corman's "The Wild Angels" from five years earlier, which showed a bike gang beating up the kindly minister who performed the funeral of their fallen comrade, as well as totally trashing his sanctuary (!). Then two of the bikers cruelly rape their dead comrade's girlfriend (!). To top it off, they outrageously abuse his corpse at the funeral party (!!). "Last Summer" (1969) is another example, masquerading as a teen beach drama. So, while a certain scene in "Blood on Satan's Claw" is effectively unsettling, other movies outside the horror genre had already paved the way.
The film runs 1 hour, 37 minutes, and was shot just west of London at Pinewood Studios, Iver Heath, Buckinghamshire, and places nearby, like Oxfordshire.
GRADE: B-
