The Elephant Man

Watch: The Elephant Man

10/10/19802h 4m

Theatrical Release (US)

~ A true story of courage and human dignity. ~

Overview:

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

Director:

David Lynch

Status:

Released

Language:

English

Buget:

$5,000,000.00

Revenue:

$26,000,000.00

Key words:

exploitation
biography
based on true story
hospital
black and white
curiosity
sideshow
disfigurement
deformed
physical deformity
freak
19th century
dignity

Cast

Anthony Hopkins

~ as ~

Frederick Treves

John Hurt

~ as ~

John Merrick

Anne Bancroft

~ as ~

Mrs Kendal

John Gielgud

~ as ~

Carr Gomm

Wendy Hiller

~ as ~

Mothershead

Freddie Jones

~ as ~

Bytes

Michael Elphick

~ as ~

Night Porter

Hannah Gordon

~ as ~

Mrs Treves

Helen Ryan

~ as ~

Princess Alex

John Standing

~ as ~

Fox

View full cast & crew

Reviews (2)

Wuchak
Written 5 year(s) ago
7
The ultimate outcast

In 1884 London, a doctor (Anthony Hopkins) meets Joseph Merrick, aka The Elephant Man (wrongly called John Merrick in the film) who was being exploited as a freak show attraction. Treves (Hopkins) tries to help Merrick (John Hurt) for the last six years of the latter’s life wherein he becomes cultured, but he inevitably remains an object of curiosity, to high society as well as low society. Anne Bancroft plays a winsome entertainer who is warm toward Merrick.

Directed by David Lynch and shot in B&W, “The Elephant Man” (1980) is a melancholic biographical movie, and understandably so, but Merrick’s story is worth checking out despite the fact that it inspires pity. It calls into question the concept of beauty: Natural beauty is something one is born with and did nothing to acquire, but so is physical unattractiveness. Then there’s inner beauty. The charismatic actress (Bancroft) displays both. Of course there’s also inner ugliness, like the carnival huckster.

A myth developed about Merrick’s disfigurement that his mother was raped by an elephant, probably started by sideshow hawkers. The opening conveys this in an artistic manner, but it’s not to be taken literally, which is why it’s surreal. Meanwhile the factory scenes with the pipes and corresponding dangers exhibit the reality for workers in Victorian times.

The score by John Morris is noteworthy with one piece being ripped-off for the moving parts of “Platoon” (1986), e.g. Elias’ melodramatic death scene.

The film runs 2 hours, 4 minutes, and was shot entirely in London and nearby Shepperton Studios, just west of the city.

GRADE: B
CinemaSerf
Written 2 year(s) ago
8
Saw this, recently up-converted to 4K at the London Film Festival and, apart from the clear improvements to the quality and detail of the image, I was reminded of just how good it is. Anthony Hopkins and Anne Bancroft play their roles with engaging sincerity - very ably supported by Sir John Gielgud and Dame Wendy Hiller. Prosthetics aside, John Hurt captures both the despair and optimism of Merrick with empathetic style; and Freddie Jones is just downright evil as "Bytes". His son Toby was at the screening and I couldn't help but wonder when he watched this portrayal by his father whether the pride in the performance must have been tempered by a disgust in the character, itself!! This film doesn't seem to do the rounds very often, nowadays, but it holds up very well after almost 40 years and is really a gem.