The Duellists

1/13/19781h 40m

Theatrical Release (US)

~ Fencing is a science. Loving is a passion. Duelling is an obsession. ~

Overview:

In 1800, as Napoleon Bonaparte rises to power in France, a rivalry erupts between Armand and Gabriel, two lieutenants in the French Army, over a perceived insult. For over a decade, they engage in a series of duels amidst larger conflicts, including the failed French invasion of Russia in 1812, and shifts in the political and social systems of Europe.

Director:

Ridley Scott

Status:

Released

Language:

English

Buget:

$900,000.00

Revenue:

$0.00

Key words:

fencing
cossack
napoleonic wars
based on short story
pistol duel
sword duel
19th century
waterloo
strasbourg

Cast

Keith Carradine

~ as ~

Armand d'Hubert

Harvey Keitel

~ as ~

Gabriel Feraud

Albert Finney

~ as ~

Joseph Fouché

Edward Fox

~ as ~

Colonel Perteley

Cristina Raines

~ as ~

Adèle

Robert Stephens

~ as ~

Brigadier-General Treillard

Tom Conti

~ as ~

Dr. Jacquin

John McEnery

~ as ~

Amiable Second

Diana Quick

~ as ~

Laura

Alun Armstrong

~ as ~

Lieutenant Lacourbe

View full cast & crew

Reviews (1)

CinemaSerf
Written 3 year(s) ago
7
After what can only be described as the most minor of misunderstandings, the decent "d'Hubert" (Keith Carradine) is forced to duel with the hot-tempered "Feraud" (Harvey Keitel). That ends inconclusively and now the narrative leads us through a series of re-matches set against a tale of their trials and tribulations during the rise and fall of Napoleon in early 1800s France. Joseph Conrad wrote a characterful story and Ridley Scott makes full use of that with a focused, frequency pithy and entertaining, dialogue and two measured and engaging leading performances with plenty of entertaining swordplay. The supporting cast is as A-list as you're ever likely to get in a non-romantic period drama. Albert Finney and Edward Fox, Tom Conti and an on form Robert Stephens as well Cristina Raines' charming effort as "Adèle" contribute well. All are dressed perfectly amidst settings that suit this gritty and battle-worn story perfectly, too. It's a cunningly devised theme, this - it has the obvious storyline, but also takes well aimed swipes at pomposity, the futility of war, and the stupidity of man - all in a manner that resonates cleverly, even now. It was clearly produced on a limited budget, which is apparent from time to time with the continuity (never one of Scott's strong suits) or with some overused extras amongst the soldiers - but, overall, it is a testament to what can be done in a relatively short film, with a good story and cast and some creative leadership behind the camera.