Knife in the Water

10/28/19631h 34m

Theatrical Release (US)

~ Acclaimed by all! Roman Polanski's tense, ironic Drama! ~

Overview:

On their way to an afternoon on the lake, husband and wife Andrzej and Krystyna nearly run over a young hitchhiker. Inviting the young man onto the boat with them, Andrzej begins to subtly torment him; the hitchhiker responds by making overtures toward Krystyna. When the hitchhiker is accidentally knocked overboard, the husband's panic results in unexpected consequences.

Director:

Roman Polanski

Status:

Released

Language:

Polish

Buget:

$0.00

Revenue:

$0.00

Key words:

sailing trip
sailing
knife
hitchhiker
moral panic
sail boat
man gets between a couple

Cast

Leon Niemczyk

~ as ~

Andrzej

Jolanta Umecka

~ as ~

Krystyna

Zygmunt Malanowicz

~ as ~

Young Man

Roman Polanski

~ as ~

Young Man (voice)

Anna Ciepielewska

~ as ~

Krystyna (voice)

View full cast & crew

Reviews (1)

C
CRCulver
Written 7 year(s) ago
6
Released in 1962, Knife in the Water (Polish: Nóz w wodzie) was director Roman Polanski's full-length debut. Married couple Andrzej (Leon Niemczyk) and Krystyna (Jolanta Umecka) are driving to the marina when they pick up a hitchhiker (Zygmunt Malanowicz). Though Andrzej is initially angry at the young man for standing the middle of the road, he invites him to come sailing. Once on the boat, tension arises between the two men because of Krystyna sexual appeal and the hitchhiker's poverty versus Andrzej's affluence. Not only is the title a metaphor for the boat as it moves through the lake, but it also refers to the intimidating knife that the young man carries with him.

Knife in the Water is entertaining enough. The cinematography on the lake and the low-key soundtrack by jazz legend Krzysztof Komeda are memorable. But personally I don't find this to be an especially great film. It feels derivative of Italian cinema of the time, without an original touch. The casting of the weathered, 32 year-old Malanowicz as a 19 year-old student undermines its credibility. I suspect that the film gained so much attention on release due to its risque nature (especially novel in a film from the Eastern Bloc) instead of its intrinsic merit.