When phantoms of the past won’t let you live in peace
After 22 years at an asylum, Norman Bates (Anthony Hopkins) is declared sane and released, which is radically opposed by Lila Loomis, AKA Lila Crane from the original movie (Vera Miles). Norman goes back to his deceased mother’s house & motel where he befriends a compassionate local waitress (Meg Tilly). Unfortunately, some unforgiving locals won’t let him live in peace.
The first half of “Psycho II” (1983) is a compelling continuation of the classic 1960 film whereupon there’s an unexpected plot development around the mid-point (which is great, by the way).
From there, the events tend to bog down inside the creepy house with somewhat contrived twists & turns as the creators try to keep you confused as to who’s killing who. Thankfully, everything is sort of explained at the end with another revelation and what happened makes sense if you think about it. I say “sort of” because the truth isn’t fully spelled out. I appreciate that the film respects the intelligence of the viewer, but they should’ve made it a little clearer IMHO.
In any case, “Psycho II” includes several elements of the original while expanding on the story.
What’s great about the Psycho franchise is that it has its own story and Norman is a sympathetic character. It’s really a tragedy and not like the typical slasher where the antagonist is a zombie-like killing machine and its victims are mostly partying teenagers.
The film runs 1 hour, 53 minutes and, like the first film, was shot at the backlot of Universal Studios, Universal City, California.
GRADE: B
EXPLANATION SPOILER ALERT
Miss Spool killed Toomey, the boy and Lila. Mary’s killing of Dr. Raymond was unintentional. Lila was a vindictive biyatch, but she wasn’t a killer. The only time Norman kills anyone is Miss Spool at the end. As far as her being Norman’s real mother or not, see “Psycho III” (1986).
